Over on twitter dot com @mimbale asked me about what my summed frames process would look like in the case of director Nicholas Ray. But first, a quiz: can you match up (any of) the frames below to the list of films?
| title | year | process | cinematographer |
| Bigger than Life | 1956 | Technicolor | Joseph MacDonald |
| Bitter Victory | 1957 | Black & white | Michel Kelber |
| Flying Leathernecks | 1951 | Technicolor | William E. Snyder |
| Hot Blood | 1956 | Technicolor | Ray June |
| Johnny Guitar | 1954 | Trucolor | Harry Stradling |
| King of Kings | 1961 | Technicolor | Manuel Berenguer, Milton Krasner, Franz Planer |
| On Dangerous Ground | 1951 | Black & white | George E. Diskant |
| Party Girl | 1958 | Metrocolor | Robert Bronner |
| Rebel Without a Cause | 1955 | Warnercolor | Ernest Haller |
| Run for Cover | 1955 | Technicolor | Daniel Fapp |
| The Savage Innocents | 1960 | Technicolor | Peter Hennessy, Aldo Tonti |
| The True Story of Jesse James | 1957 | Technicolor | Joseph MacDonald |
Once you’ve taken a guess, hop over to filmvis.tumblr.com. I’ll post the correct answers tomorrow morning.
